Filmmaker's Diary:
Part VI
Another
Insight, from the Brazilian
Perspective
From the best-selling book, To the
Bitter End: Paraguay and the War of the Triple Alliance
(Contributions in Military Studies)
by Chris Leuchars (Dec 30,
2002):
"...superficially, it
might seem that the Brazilians came out best, for they had gained
all the land they wanted and had, at least for the time being, won a
preponderant influence in Paraguay - but they paid a price for it.
The return of their armies did lead to social instability, as many
had feared, and within 20 years the emperor had been deposed, the
slaves freed, and a republic ushered in. The costs of the war were
almost incalculable, and the economic crisis of the 1870's, brought
on by this expenditure, had a crippling effect on the country's
development. The railway to Corumbá, built shortly afterwards,
provided a more reliable link to Mato Grosso, which raised questions
about the whole point of the war. The human cost, too, was
significant, for even the lowest estimates quote a figure as high as
25,000 for the number of deaths, which rises to 100,000 when
casualties from disease are taken into
account...."
Filmmaker's Diary: Part
V
In Uruguay Again [Better Reception This
Time]
The
Universidad de Montevideo hosted the Segunda Jornadas
Internacionales de la Historia del Paraguay between 14 and 18 June
2010 in the Uruguayan capital. In attendance were scholars
from numerous countries, including France, Germany, Italy, Spain,
Netherlands, Great Britain, Brazil, Uruguay, Argentina, Paraguay,
and the United States. Thirty-two papers were read on various
aspects of Paraguayan history, including studies of indigenous
participation during the 1932-1935 Chaco conflict, mestizo identity
in the early republic, and discursive elements in the
Spanish-Guaraná bilingualism of the colonial era. A published
version of the ponencias is slated for publication in Asunción with
Editorial Tiempo de Historia at the beginning of 2011, and a Tercera
Jornadas on Paraguay is planned, again in Montevideo, in
2012. For further information, e-mail Prof. Juan Manuel
Casal at jcasal@um.edu.uy.
The war that devastated the continent is
still for so many South Americans a non-topic - but perhaps NOT in
Paraguay.... You'd think that with the economic growth now in Brazil
and other parts of South America that would change. Well, perhaps it
is - but slowly...
Prof. Thomas Whigham, who was the chief
consultant for the documentary, was down in Paraguay recently at the
publication ceremony for his work on the war. this is what he had to
say:
"I've just come from Asuncion for the
presentation of the Spanish-language version of the first volume of
my Paraguayan War study. You may not credit it, but the whole
business converted me into a celebrity in Paraguay and even the
President of the Republic got caught reading my book. No lie.
Various publishers were hunting me down to discuss future
publications. I gave talks to high-school teachers about how to
teach their country's history (2,000 of them in an enormous
auditorium one day and about 1,000 at the university the next day),
I was interviewed on TV and radio and in the newspapers, and I gave
talks at the War College before generals and admirals, and also
before a mixed bag of politicians, scholars, and assorted fans at
the old legislative building, now called the "Cabildo." Paraguay is
finally changing, a fact that was pointed out to me by many
people. The kinds of things I was saying publicly could not
have been said 20 years ago, even after the fall of the
dictatorship, and now not only do I find a healthy curiosity and
interest about history on the part of the younger generation, even
the older folks are speaking to me with newfound
respect."
'Paraguayan War' Praised in
Journal of Military
History
The Journal of Military History, one of the preeminent
periodicals of its kind, praised The Paraguayan War in its
Spring 2010 issue, saying:
"Denis Wright skillfully incorporates archival photographs, oil
paintings, watercolors, satirical cartoons newspaper articles,
diaries, biographies, as well as computer-generated animation...to
tell his story...I would recommend this video for those interested
in Third World wars, Latin American history, and nineteenth century
military history."
Filmmaker's Diary: Part
IV
The most important thing to remember is this: Since the war
ended in 1870, Paraguayans are just not sure what to do about this
horrendous event in their nation's history. But for that matter, nor
have the Brazilians, the Argentinians or the Uruguayans.
History is in large part something all
South Americans would rather not bring up - they've been adept over
the years at either ignoring the history of a region soaked in blood
and heroism (like every other part of the planet) or spinning events
to suit the purpose of the day. And so in Paraguay, the man
currently wearing the presidential sash is Fernando Lugo, a former
Roman Catholic bishop who has not managed, in any significant way,
to shake up this small country after 60 uninterrupted years of rule
by the severely nationalistic Colorado Party. And the real power
still lies with the Colorado Party, a group that believes
Paraguay was destroyed in a hateful, vengeful bloodbath by the
combined forces of Brazil, Argentina and Uruguay. The wounds of this
terrible conflict remain open and alive.
Despite my best
efforts I got very little help from official Paraguay when I went
along to film and research. I did, however, get huge support from
many independent-thinking Paraguayans, intellectuals and academics,
who generously let me sift through their archives for all kinds of
images. For that I will always be
grateful.
Reflecting on the time I spent
in that land, I can only think it was an extraordinary dream
sequence. Time spent during the summer months - months that
can kill. That's true. The weather is often described as distinctly
sultry and oppressive during the very wet summer months but I doubt
anyone is prepared for the strength and depth of a long Paraguay
summer. And because of the damp heat, the people move around slowly
and listlessly.
For myself, an Anglo-Saxon, one
more traveller and filmmaker steeped in the writings of Graham
Greeene and other wandering writers and journalists, we are all
drawn to Paraguay in search of...what? The strangest destination in
South America? ... and all have come away feeling that the place,
despite its languor, may just be the real heart of Latin America, or
at least a South America different from one besotted with the
trappings of modern day consumerism.
The recent article by Tom
Templeton again reminds us what the
country is all about. But sadly, it may very well be the one country
in South America that does not have much in the way of a real
future, but just when you think it's all over, along comes a great
surprise. The football team fielded during the recent World Cup
competition went on and on and on. This is the spirit of a small and
feisty land called Paraguay.
Filmmaker's
Diary: Part III
A while
back, after waiting for some time in line at JFK immigrations, my
turn came to stand there and get asked why I wanted to be in the US.
I immediately said and immediately regretted saying "for pleasure,"
but the middle-aged man, hair close-cropped standing erect in the
open glass box, cast his eyes over and and then smiled as if he had
heard this for the first time and said, "and for pain."
I just
stood there. It was as if we were eager for this conversation. We
spent a couple of minutes discussing the differences and the
similarities of pleasure and pain. I don't remember what I said or
indeed what he said. After a minute we got looks of impatience from
people in line so I said goodbye and moved on.
Not too
many years ago when I looked about for funding for the documentary I
planned on the Paraguayan War, I expected in these parts and in
these modern times more than just casual interest - not a single
documentary film or piece for television on the subject existed. I
would be the first. I was excited at the prospect and thought it
would not be hard to generate funding. I expected real interest and
money to come my way. I was very wrong.
Not a
single person or company in any of the countries involved - Brazil,
Argentina, Uruguay or Paraguay - had the slightest interest in
giving me a penny. Time after time I was reminded that telling the
story of a war that certainly killed and maimed tens of thousands on
all sides, destroyed the Paraguayan will to prosper, hastened the
creation of the Argentine Republic, in time destroyed the Brazilian
monarchy and consolidated Uruguay as a free nation state, was still,
for all sides, a most shameful and difficult moment to
face.
Over
the years, for everyone, the event had made heroes of the most
unlikable characters and from some unlikely quarters, and a few
losers. Events had been shaped and re-shaped beyond recognition, or
the memory of these events allowed to wither and die. I knew I had
my work cut out just to make the case that making a documentary
about this calamitous events was the right thing to do. My struggles
were about to begin. I was about to enter a world of pain and
pleasure. - DW
More Praise for "The Paraguayan War"
This
just in from the distinguished scholar Leslie Bethell:
"A very
good job should do well in high schools and colleges. My
congratulations." - Leslie Bethell Woodrow Wilson Center
Public Policy Scholar Emeritus Professor of Latin American
History, University of London Former Director, University of
Oxford Centre for Brazilian Studies
And Sra. Liana Gomes
Amadeo, head of archives at the National Library of Brazil, sends
this:
"It was
with pleasure that we received [the film] at the National Library
and we thank you for sending the documentary "The Paraguay War." We
would like to congratulate you for this initiative, as well as the
educational quality and entertaining nature of the work. We consider
that the workmanship has great value as an educational tool, very
useful as source material in the academic education of our
youth."
Filmmaker's Diary: Part II
The
decision to go to Humaita, the scene, in Paraguay, of perhaps one of
The Marshals greatest defeats, was a decision I'd made and insisted
on from the beginning. My producer was not pleased at the prospect -
he said it was too far and would cut into our limited time and
resources. I told him that coming to Paraguay to make a documentary
about the war and not venture to Humaita would make no
sense.
I'd had
meetings with my Paraguayan producer Alberto Duarte - a wonderful
man and a constant source of valuable information who sadly died two
years ago of cancer. He assured us we could get there safely enough.
The crew, plus Prof. Thomas Whigham and myself, would have to cover
some pretty rough ground to get there - real roads would peter out
soon after leaving the capital. We were determined to press ahead.
We left
Asuncion early the next morning and as we carefully moved along the
rough roads and tracks I was struck by the fact that the countryside
was almost empty ( was this, so many years later, the aftermath of
this terrible war?) Daylight was fading fast as as we drew into the
small hamlet of Humaita. At first I thought it was a ghost town but
I soon realized there were just a handful of people living in this
part of the world. Within minutes we'd met the mayor, who told us
that we were the first visitors to Humaita in months. It struck me
that this site, in a more developed part of the Western Hemisphere -
a place where one of the vital moments in the biggest and bloodiest
war in Latin America, would be, at this point, be suffering from a
tourism glut.
It
seems the powers involved, each in their own way, had decided to
create an inflexible, immutable version of events and heroes, or
worse, blot this appalling event from national memory.
 The guest house
at Humaita
Before
settling in at the one and only guest house, I wandered down to the
edge of the Paraguay River and through the late evening gloom
imagined a picture of what it must have looked like over a hundred
thirty years ago. Complete darkness fell and a billion mosquitos
kept us company. The mayor's wife cooked local food and produced
local hooch. Later, the mayor and his brother played guitars and
sang - sad songs of Paraguayan pride and
despair.... - DW
Filmmaker's Diary: Part I
Making
this documentary was not easy. The countries involved (Brazil,
Argentina, Uruguay and Paraguay) had no real interest in having this
episode of history be turned into a film. And making available
material for the making of a documentary that would for the
first time show the war in great detail was even more
difficult. The countries involved have each evolved since the war
versions of events that oftentimes bear little resemblance to fact.
Each has had its own desire to create heroes - Brazil in its
formation of a standing army and the nation; Paraguay, the losing
nation, to exalt the figure of Marshal Solano Lopez, who led his
nation to inglorious defeat; Argentina, in its desire too to form
itself as a nation as the Uruguayans have also done. The victors
simply abandoned Paraguay to its fate and over the decades decided
that the entire episode was to be swept under the each country's
carpet and kept there.
Until
now.
And
when it came to finding funds, the resistance to making the movie
was overwhelming and it took more than two years to finally find the
right funding. At first, I was afraid that I would not find a good
enough array of photographs, cartoons, paintings, drawings and so
forth to flesh out the documentary visually, but I was immensely
surprised to find a considerable amount of material in all four
countries - principally and to my surprise, in Paraguay. And without
the amazing and consistent consultancy of Prof. Thomas Whigham, from
the University of Athens, Georgia, I would never have been able to
realize the endeavour. - DW
|




|